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White Clad Furniture

    furniture

  • Large movable equipment, such as tables and chairs, used to make a house, office, or other space suitable for living or working
  • Small accessories or fittings for a particular use or piece of equipment
  • Furniture is the mass noun for the movable objects (‘mobile’ in Latin languages) intended to support various human activities such as seating and sleeping in beds, to hold objects at a convenient height for work using horizontal surfaces above the ground, or to store things.
  • A person’s habitual attitude, outlook, and way of thinking
  • Furniture + 2 is the most recent EP released by American post-hardcore band Fugazi. It was recorded in January and February 2001, the same time that the band was recording their last album, The Argument, and released in October 2001 on 7″ and on CD.
  • furnishings that make a room or other area ready for occupancy; “they had too much furniture for the small apartment”; “there was only one piece of furniture in the room”

    white

  • a member of the Caucasoid race
  • Of the color of milk or fresh snow, due to the reflection of most wavelengths of visible light; the opposite of black
  • Approaching such a color; very pale
  • whiten: turn white; “This detergent will whiten your laundry”
  • Morally or spiritually pure; innocent and untainted
  • being of the achromatic color of maximum lightness; having little or no hue owing to reflection of almost all incident light; “as white as fresh snow”; “a bride’s white dress”

    clad

  • clothed: wearing or provided with clothing; sometimes used in combination; “clothed and in his right mind”- Bible; “proud of her well-clothed family”; “nurses clad in white”; “white-clad nurses”
  • Clothed
  • Provided with cladding
  • having an outer covering especially of thin metal; “steel-clad”; “armor-clad”
  • (clothe) dress: provide with clothes or put clothes on; “Parents must feed and dress their child”

white clad furniture

Battersea Power Station

Battersea Power Station
The coal cranes look as though they are directly infront of the building but are infact several metres infront.
Grade II* listed.
Former electricity generating station. Built in 2 principal phases: 1929-35 and 1937-41, completed 1955. Built by the London Power Company to the design of Leonard Pearce, Engineer in Chief to the LPC, CS Allott & Son Engineers: the architects were J Theo Halliday and Sir Giles Gilbert Scott.

MATERIALS: Steel frame clad in brown Blockley bricks laid mainly in English bond; reinforced concrete roofs; that to the boiler houses currently (2005) missing; pre-cast concrete chimneys; metal-framed Crittall windows.

PLAN: approximately square on plan, comprising 2 independently-operating power stations: Station A, the western half and Station B, the eastern half. Laid out on a symmetrical plan, comprising a pair of long central boiler houses with large square pavilions – the washing towers – to each corner, surmounted by chimneys, flanked by a pair of lower, set back, turbine houses; these in turn are flanked by set back blocks containing switch houses and other ancillary spaces. Entrances to SW and SE. A vast underground coal store lies between the building and the river.

EXTERIOR: Symmetrical elevations. A low horizontal string-course of fluted concrete encircles the entire building denoting its base. Strongly articulated parapets to all elevations. Low pitched lanterns to roofs. The central, recessed, bays of the riverside (N) and S elevations have tall windows which light the boiler houses, and a fluted parapet which continues around the tower sides. The towers are the key to the composition. Their front and rear elevations are tripartite with a central projecting bay with vertical fluting, diminishing at the top. The upper parts are stepped back in a ziggurat formation as bases for the chimneys. The upper side elevations of the boiler houses are blind with lesenes demarcating the bays, and have set-back fluted parapets. The side elevations have small vertical windows and rows of transformer bays below. The S elevation of Station B is heavily fenestrated and does not match its counterpart. The chimneys are designed as fluted Doric columns and have 2 shaft rings at the top. Entrance to Station A has splendid bronze doors designed by Halliday depicting Energy personified; these are currently (2005) in storage.

INTERIOR: Internally, the principal interest lies in the functional plan form and the spaces outlined below. The central boiler houses are currently (2005) a roofless shell and await refurbishment.
Station A: Directors’ entrance hall and staircase faced in grey Napoleon and Black Belgian marble and staircase; lift enclosure with steel-framed glazing and bronze doors. Marble Directors’ tablet of 1933. The central boiler houses have no features of note. Machinery and floors removed from the boiler and turbine houses. Turbine House A has elaborate Art Deco finishes of biscuit-coloured faience with a blue mottled effect and darker blue string courses. The wall bays are defined by giant fluted pilasters with black faience bases; above these a steel crane gantry runner acts visually as the architrave, with faience relief panels above. The W side has 6 steel-framed oriel windows and 2 balconies at the upper levels to enable overlooking from the control room at the upper level of the adjacent switch house. Control Room A overlooks the turbine hall and has sumptuous Art Deco interior; the walls are lined with grey Ribbon Napoleon marble with fluting around the windows in Belgian Black marble. The ceiling is divided into 8 bays, each coffered and glazed with cellulose-coated decorative lights set in a steel frame, with original Holophane light fittings; and has a Vitruvian scroll frieze along the cornice soffit. It retains its original L-shaped control panel and walnut-veneer furniture.
Station B: The layout follows that of Station A with certain modifications. The turbine house is clad in blue-grey faience and follows the same bay rhythm as Turbine House A, but in a much more austere, stripped classical manner. Control Room B opens directly onto the turbine house; it is faience clad and retains its original stainless-steel control panels arranged in an arc. Ceiling supported by 2 pillars with octagonal faces on square, tapering bases. The upper control room, added in the 1950s, overlooks the turbine hall and retains control desks and panels. The switch-gear room also retains equipment.

SUBSIDIARY FEATURES: To the N on a jetty parallel to the river wall there are 2 cranes which were used to unload coal from collier boats. While of lesser significance, they were integral parts of the original complex and are now rare riverside features.

HISTORY: Battersea was designed to be constructed in 2 stages, planning permission being granted subject to the efficacy of the proposed ‘gas washing’ system. This linked the boilers to the towers, using water and alkaline sprays to remove sulph

White Clad Ice Box T.V. Stand w Lazy Susan

White Clad Ice Box T.V. Stand w Lazy Susan
26.5 x 19 x 34
White Clad Ice Box T.V. Stand w Lazy Susan

All Aboard 2nd Hand Furniture 206-784-8090.
6500 3rd Ave NW Seattle, WA 98117
website=www.aa2h.com

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